What is Equalization in Music Production?

Equalization, often referred to simply as EQ, is the deliberate adjustment of specific frequency ranges within an audio signal. At its heart, EQ serves two primary functions in music production:

  1. Corrective EQ: This involves identifying and attenuating unwanted frequencies to rectify issues in a recording. For example, reducing excessive low-end rumble in a vocal recording or removing a specific frequency that resonates too loudly in a room.
  2. Creative EQ: Beyond just rectifying problems, EQ is also a tool for shaping sound to fit the creative vision. This might involve boosting certain frequencies to make a guitar sound brighter or attenuating others to give a vintage feel to vocals.

Understanding EQ Parameters


This is how much you amplify (boost) or attenuate (cut) a selected frequency range. Gain is usually measured in decibels (dB).


This denotes the specific frequency you want to affect. Human hearing spans from approximately 20 Hz to 20,000 Hz.

Q or Bandwidth

This determines how narrow or wide the range of affected frequencies is around the selected frequency. A higher Q value means a narrower range, often used for surgical corrections, while a lower Q affects a broader range, often used for tonal shaping.

Types of EQ

Graphic EQ

This type offers multiple sliders, each corresponding to a fixed frequency band. While they provide a visual representation of the EQ curve, they are less flexible than other types due to their fixed frequencies.

A typical graphic EQ plug-in interface

Parametric EQ

More flexible than graphic EQs, parametric EQs allow you to adjust the frequency, gain, and Q for each band. This makes them ideal for both corrective and creative tasks in a production setting.

A typical parametric EQ plug-in interface

Shelving EQ

This type is used to boost or cut frequencies either above or below a certain point. For example, a high shelf might boost all frequencies above 10,000 Hz, adding brightness.

High-pass and Low-pass Filters

High-pass filters cut off all frequencies below a certain point, whereas low-pass filters do the opposite. These are especially useful in cleaning up tracks and ensuring each instrument has its place in the frequency spectrum.

Common EQ Practices in Music Production

Carving Out Space

In a mix, multiple instruments can occupy the same frequency range, leading to a cluttered or muddy sound. EQ can be used to “carve out” space. For instance, if a kick drum and bass guitar clash in the low-end, you might attenuate some low frequencies from the bass to give the kick drum more prominence.

Enhancing Vocal Clarity

Vocals often need to sit prominently in a mix. Boosting frequencies in the 2,000 Hz to 6,000 Hz range can add clarity and presence to vocals. However, it’s essential to listen in context and ensure this doesn’t make the vocals overly harsh.

Managing Sibilance

Sibilance is the harsh “sss” sound that can be prominent in vocal recordings. Typically found between 5,000 Hz and 10,000 Hz, it can be tamed using a narrow Q to attenuate these frequencies.

Adding “Air” to a Mix

A subtle boost around 10,000 Hz to 20,000 Hz can introduce a sense of “airiness” or openness to a mix, making it feel more lively.

Potential Pitfalls and Their Avoidance


It’s easy to go overboard. Just because you can boost or cut doesn’t mean you always should. Always bypass your EQ to compare with the original signal to ensure you’re making improvements.

Relying Solely on Visuals

EQ plugins provide visual feedback, but it’s vital to trust your ears over your eyes. Visuals can sometimes lead to adjustments that don’t genuinely benefit the sound.

Ignoring Phase Issues

EQ, especially with steep curves, can introduce phase shifts. While these are often subtle, they can sometimes alter the sound in unintended ways. Always be aware and listen closely.


Equalization, while a technical tool, is deeply rooted in the art of music production. By strategically managing frequency content, EQ ensures that every element finds its rightful place, resulting in a harmonious and well-balanced mix.

Whether you’re using it to solve issues in a recording or to craft the tonal palette of your track, understanding its parameters and potential pitfalls is key. Like any tool, its power comes from knowing when and how to use it effectively.

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