Using EQ Before or After Compression: A Detailed Look

At the heart of audio production, two primary tools consistently wield influence over the final sound: Equalization (EQ) and Compression. EQ sculpts the frequency response while compression helps manage the dynamic range. But when it comes to the signal chain, the question arises: should EQ be applied before or after compression?

The Case for EQ Before Compression

Dynamics Respond to Frequency Alterations

When an EQ is placed before a compressor, any changes made to the frequency spectrum directly influence how the compressor responds. For instance, if a boost is made in the low end, the compressor might react more to those boosted frequencies, resulting in more compression applied when those frequencies play.

Example: Kick Drum Treatment

Consider a kick drum with a slight muddiness in the 200-300 Hz range. An EQ cut in this region can reduce that muddiness, making the drum sound tighter. If a compressor follows this EQ, it may then respond less to the frequencies in that range, ensuring that the tightened sound remains consistent in the mix.

Pre-EQ Can Tackle Problematic Frequencies

Sometimes it’s beneficial to attenuate or enhance certain frequencies before they reach the compressor. By doing so, you can prevent the compressor from reacting to problematic frequencies that might trigger unnecessary compression.

Example: Vocal Sibilance

If a vocal track has excessive sibilance (sharp “s” sounds), applying a de-esser or narrow EQ cut around 5kHz to 8kHz can help tame it. By managing this before compression, the compressor won’t overreact every time the vocalist pronounces an “s”.

The Case for EQ After Compression

Compression Can Alter Perceived Frequency Balance

Compressors, depending on their type and settings, can change the perceived tonal balance of a sound. For example, a compressor with a fast attack time can reduce the transient detail of a snare drum, making it sound less snappy and duller. Applying EQ after the compressor allows for corrections based on how the compression has altered the sound.

Example: Brightening a Compressed Guitar

Suppose an acoustic guitar has been compressed to control its dynamics. The compression might have tamed its transient details, making the strums less defined. An EQ boost around 3kHz to 5kHz post-compression can help bring back some of that lost clarity.

Post-EQ Offers Tonal Shaping

Equalizing after compression provides an opportunity to shape the tonal balance without affecting how the compressor behaves. This can be useful when you’re satisfied with the dynamic control the compressor provides but feel the sound needs some frequency adjustments.

Example: Adding Warmth to a Compressed Vocal

Once a vocal is compressed for consistent levels, an EQ boost around 150Hz to 200Hz can add some warmth and body without affecting how the compressor works.

Factors to Consider

Type of Material

Transient-heavy material like drums might benefit from pre-EQ to shape the compressor’s behavior towards certain frequency content. In contrast, sustained sounds like pads or strings might be better suited to post-EQ to correct any tonal imbalances introduced by compression.

Compressor Type and Settings

Opto, VCA, FET, and tube compressors all introduce their characteristics to sound. Pairing them with EQ either pre or post can be determined by understanding how these compressors color and shape the sound.

Goal of Processing

Is the aim to control dynamics, or is it to shape tone? Or perhaps both? Pinpointing the objective can provide clarity on where to place the EQ in the chain.


Both approaches, using EQ before or after compression, have their merits and contexts in which they shine. For those who adhere strictly to one method over the other, it’s worth revisiting this topic with an open mind. Experimentation remains a powerful tool in audio production, and the placement of EQ and compression in the signal chain is no exception.

In essence, while there isn’t a definitive “right” or “wrong” order, understanding the impact and interaction of these tools can lead to more informed decisions in crafting the desired sound. Consider the source material, the type of compressor, the desired outcome, and let those factors guide the decision. Whether EQ comes before or after compression, the key is to listen critically and adjust accordingly.

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